Wednesday, February 28, 2018

Topics for South African Apartheid


TOPICS FOR DIGITAL STORY TELLING
People
Nelson Mandela/Madiba
Oliver Tambo
PW Botha
FW le Klerk
Desmond Tutu
Hector Peterson
Steven Biko
Chris Hani
Max Sisulu
Afrikaaner
Natives
Women
Trevor Huddleston (white minister in Sophiatown)
Laws
Prohibition of Mixed Marriages Act 1949
Bantu Education Act
Pass Law Act 1952 PASSBOOK
Criminal Law Amendment Act 1953
Population Registration Act 1950
Native Voting Ban
Land Act of 1913
1951 Group Areas
Freedom Charter
Truth and Reconciliation Act


Places/Events
Soweto Riot of 1976
Alexadria Riots
Sharpsville Massacre
Sophiatown
May Day Strike
Liliesleaf Farm
The Rivonia Trials

Political Organizations
African National Congress (ANC)
Afrikaan National Party
South African Ministry of Justice
Separate Amenities Act 1953
Native Land Act
Native Labor Act 1953
The Black Sash




Misc
Apartheid (restrictions)
African national Congress (ANC)
NeoNazi Swastika
Decolonization
Xenophobia
Pencil Test
White Color Jobs vs. People of Color Jobs
Anti-Apartheid Movement
No white can teach a black/colored to read
Unequal pay scale
Native vs White punishment
Curfews
The Resistance Movement
MK – Communist Party of SA



Short Story/Fishbowl Reflection Shareable Link




Tuesday, February 13, 2018

FISHBOWL DATES

FISHBOWL DATES

Blocks H, E, AND F    FEB 27
Blocks B, AND D        FEB 28

FISHBOWL GUIDELINES



FISHBOWL STRUCTURE: HOW IT WORKS

·       For this formal discussion students will be expected to participate both the inner group and the outer group.
·       While in the inner group, students are engaged in active discussion addressing the given questions/topics according to expectations.  
Students in the outer group are observers.  They must actively observe the discussion, take notes and tap into the circle at least two times during the Fishbowl.
·       *Empty Chair: This is for the teacher to enter when necessary.

EXPECTATIONS

1.      Restate the previous comments using student’s first names.
2.      One person speaks at a time.
3.      Use body language and eye contact for clues when to speak. No need to raise your hand.
4.      Comments and questions are only asked by the people in the inner circle.
5.      Support answers/comments with evidence.
6.      To enter the inner circle, you must tap into someone who has already participated in the conversation.
7.      If you elect to leave the bowl, you MUST say something meaningful before leaving.
8.      Each person must connect their comment or questions to the previous comment or question.
9.      No question must begin with the word why.
10.   The conversation does not exist just so you can hear yourself talk, it is for the group to explore ideas and questions.
11.   People in the outer circle must write down statements that make them go “hmmm” or “aah” or “huh”.
12.   One student enters the circle to begin the discussion.
13.   The discussion keeps going even when people enter or leave the bowl – flow should be seamless, without pause.
14.   Keep the discussion focused!!!!*******
15.   Incorporate others in the discussion.
16.   Provide examples to support your opinion.
17.   Come prepared with all notes AND whatever reading you wish to pull evidence from.
18.   Respect all opinions and views.
ABOUT LISTENING AND SPEAKING
·       When a student is not speaking, he or she is expected to be an active listener. This includes making eye contact with the person that is speaking, staying quiet while somebody is speaking, and maintaining interest even if not directly participating.
  • While speaking, students need to be respectful in all areas.
  • Students are in no way to put down the ideas of other students – disagreement with the idea is fine, but no disparaging comments towards other students will be tolerated.
  • Likewise, students need to respect the amount of times and length of time during which they speak.  “Share the air” – everyone needs time to speak, so do not monopolize the conversation by speaking too often or by speaking for too long.
  • Your point should be concise, meaning to the point.
  • Remember when speaking that accuracy is important. Arguments that are not accurate or supported by proof will result in a poor grade.
·       Finally, stereotyping of any type will not be tolerated.


Whether in the inner or outer circle, active listening is still expected. If on the outer circle, students are responsible for taking notes based on the conversation taking place in the Fishbowl.

FISHBOWL DISCUSSION CHECKLIST

STEP 4 FISHBOWL DISCUSSION
Evaluate your preparation and participation in a collaborative discussion on a scale from 1 to 7.
YES!

1-7
NOT SURE
1-7
NO
Not at all!
Ø  Prepare for the discussion using notes from the research, reading, and discussion, during the unit 
Ø   



Ø  Explicitly draw on evidence to further a point, justify your idea, or to reflect on ideas discussed
Ø   



Ø  Engage in a collaborative discussion within a formal group setting




Ø  Pose questions that connect the ideas presented




Ø  Listen and Acknowledge new information















FISHBOWL DISCUSSION - South African Literature

FISHBOWL DISCUSSION

AFRICAN LITERATURE
­GUIDING QUESTION
HOW DO AUTHORS MANIPULATE HISTORY?
GOALS
·       To ENGAGE in a collaborative discussion to further our understanding of a part of South African history using the Naidoo short stories and your research.
·       To EXPRESS opinions clearly using evidence or example from your reading and research.
·       To DEMONSTRATE a command of the vocabulary associated with South African events.
·       To LISTEN AND RESPOND to other members in the Fishbowl with well thought out comments and questions.
The Process
·       You will receive a formative grade for the pre-work accomplished before the Fishbowl takes place.
·       Coming to this discussion prepared is vital to your success and involves the following:
o   Notes prepared for EACH topic or question presented in preparation for the fishbowl.
o   Notes must include at least THREE complete thoughts/ideas/curiosities that could be used to spark or contribute to a discussion.
o   These notes need to be supported by evidence in the form or QUOTES AND EXAMPLES from the knowledge you have gained during this unit – research, reading, class discussion, and writing.
·       Your own opinions can be expressed so long as you have completed the other requirements.
QUESTIONS/TOPICS
Consider the following are questions and/topics for your fishbowl.
1.     Seven (7) shorts stories were read – summarize the stories for each other (PREPARE YOUR SUMMARY IN ADVANCE). LISTEN CAREFULLY TO THE SUMMARIES AND LOOK FOR REOCCURING THEMES AND IDEAS.
2.     Discuss what was going on in South Africa during the time frame that your story was written.  WHAT ARE THE SIMILARITIES/DIFFERENCES BETWEEN THE EVENTS AND THE FICTION?
3.     How does Beverley Naidoo depict the real-life events?
4.     Is the author biased? Sympathetic? (You might read some short biographies of her to better answer this question.)
5.     Why is it important for writers to tell the story of real events in a fictional form?
IT IS EXTREMELY IMPORTANT FOR YOU TO LISTEN AND RESPOND (either with a comment or a question that furthers the conversation) TO THE MEMBER’S IN THE FISHBOWL USING THE KNOWLEDGE YOU HAVE ACQUIRED. DON’T SIMPLY TRY TO GET YOUR OWN POINTS ACROSS.
Your ability to listen and respond is a major part of your grade.

Monday, February 5, 2018

South African Literature Unit and SHAREABLE LINK





GUIDING QUESTION:  How do authors manipulate history?

During this short unit,

1)    each of you will READ one of Beverley Naidoo’s short stories from her collection entitled, Out of Bounds: Seven Stories of Conflict and Hope.

“Spanning 52 years of South African unrest, Naidoo's (Journey to Jo'burg; The Other Side of Truth) insightful and suspenseful stories offer multiple perspectives of apartheid. Each of the seven young protagonists featured here come to understand the meaning of oppression as they witness or experience the effects of gross injustice.” Publisher’s Weekly

i)      You will annotate, take notes - asking questions and jotting down your reaction to the content/events of story using I SEE, I THINK, I WONDER.
ii)     You will identify and explain the theme of the story.


2.  After you have read your story, you will RESEARCH specific years in South African history that
     correspond with the content of the story.  I will give you the years you will research. During your
     research:

iii)   You will find correlations/connections between your story and what happened in history;
iv)   You will use the note-taking organizer provided to help you prepare for the FISHBOWL.


3.  The unit will culminate in a FISHBOWL, which is a formal conversation that reveals your knowledge of the guiding questions:

v)    You will show your understanding of the guiding question using your notes;
vi)   You will express your knowledge through collegial discussion techniques - using comments, questions, and evidence;
vii)  You will use the skill of listening and speaking to express your knowledge and understanding.
SHORT STORY NOTES

You can annotate directly on to the copy you have.

Name of your short story_______________________________________________________________

I SEE: What are your observations, what do you see? What is happening?






I THINK: What are you thinking about what you are reading?






I WONDER: What are you wondering about? Or, curious about?






WHAT QUESTIONS DO YOU HAVE?





WHAT IS THE THEME OF YOUR STORY?  Explain





RESEARCH and CONNECT: Your goal is to discover how your story connects to historical events during a specific time frame.

MAKE YOUR CONNECTIONS

HISTORICAL EVENTS/TIMELINES RESEARCH - cite your source - use actual events
SHORT STORY EVENTS - take directly from the book, use quotes when you can
OR how has the author manipulated history?





















SOME resources from the internet, however, you must go into our databases:

Some books about SA history are also available in the classroom.